Charlotte McIvor; Jason King2023-12-122023-12-122019https://link.springer.com/978-3-030-02704-9https://libebook.kku.ac.th/handle/123456789/230This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism.